Swastika Info

Five thousand years of an auspicious mark, from Indus Valley seals to the temple walls of Nara.

A swept doorstep with a freshly drawn white rice-flour design on the ground before it, early morning light
Drawn fresh in rice flour at the door, swept away, drawn again the next morning. The mark is a practice before it is an emblem.

Su — well. Asti — it is. Ka, the suffix that makes a thing of it. Conducive to wellbeing.

The Sanskrit names the mark by what it is for, not by what it shows. It is drawn at a door in rice flour, inked on the first page of a ledger, carved into the sole of a stone foot at Amaravati, cut as an unbroken lattice along a temple wall, pressed into fired clay at Mohenjo-daro in a script that has never been read, and set in tesserae on a Sicilian floor. Almost none of the people who used it in one of those places had heard of the others.

The word

The word: su + asti + ka

The Sanskrit reads roughly as conducive to wellbeing — a description of what the mark is for rather than a story about what it depicts.

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A Sanskrit text page in Devanagari script open under a reading lamp

Three more, to start with

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Linked, it becomes a different thing again: manji-tsunagi in joinery, sayagata woven, a running fret in stone. The count, not the figure, is what a craftsman carried from one wall to the next.

A Roman mosaic floor photographed from directly above with its geometric border running out of frame A palm-leaf manuscript page with incised script, laid flat under even light A small carved steatite seal held in gloved fingers under a lamp, museum conditions Ancient Greek two-handled cup painted with geometric bird motifs, displayed in a museum case Reproduction of the Mathura Kankali Tila inscription showing carved Brahmi script and a swastika motif An excavated brick street and drainage channel seen along its length, hard sun

In 1940, craftsmen of the Navajo, Papago, Apache and Hopi nations declared jointly that they would no longer use the whirling log — a figure of their own, with its own meaning — in their work, because of an appropriation elsewhere. The 1940 section →